Marguerite has been locked in the attic of her family home, a disintegrating Chelsea house overlooking the stench of the Thames. For company she has: a sewing machine, a copy of Mrs Beeton's Book of Household Management and trays of congealing food carried up to her with little regularity. Marguerite has been confined by her mother, Cécile, who is concerned about her engagement to an older, near-penniless solicitor, Mr Lewis, and wishes to educate her daughter on 'proper' married conduct - lest she drag the family's good name into disrepute. But why is Marguerite pursuing the aged Mr Lewis in the first place? Why are her mother's visits seemingly becoming less frequent? And just how much time has passed since the lock closed on the attic's hatch?

Carrion Crow is a transportive and gloriously gothic commentary on the constraints of polite society - and the even greater danger of conformity - that unfurls one family's festering secrets.

There are some facts about the world that only your mother can teach you. So into the attic she had gone, climbing the stairs towards her promised freedom, and she would stay there until she had learned the lessons that would prepare her for the real world, the lessons that only a mother could teach. Marguerite Périgord had been confined for the sake of her wellbeing. That's what her mother had said. Marguerite Périgord is locked in the attic of her family home, a towering Chelsea house overlooking the stinking Thames. For company she has a sewing machine, Mrs Beeton's Book of Household Management and a carrion crow who has come to nest in the rafters. Restless, she spends her waning energies on the fascinations of her own body, memorising Mrs Beeton's advice and longing for her life outside. Cécile Périgord has confined her daughter Marguerite for her own good. Cécile is concerned that Marguerite's engagement to a much older, near-penniless solicitor, will drag the family name - her husband's name, that is - into disrepute. And for Cécile, who has worked hard at her own betterment, this simply won't do. Cécile's life has taught her that no matter how high a woman climbs she can just as readily fall. Of course, both have their secrets, intentions and histories to hide. As Marguerite's patience turns into rage, the boundaries of her mind and body start to fray. Neither woman can recognise what the other is becoming. 'One of the most important new voices in fiction, with Carrion Crow Heather Parry deduces an unutterable Gothic horror of class and gender from the pages of Mrs Beeton's Book of Household Management. A festering Edwardian nightmare dressed in exquisitely tailored language, Parry's vision is magnificent and devastating.' Alan Moore