The Frédéric Chopin Annik LaFarge presents here is not the melancholy, sickly, romantic figure so often portrayed. The artist she discovered is, instead, a purely independent spirit: an innovator who created a new musical language, an autodidact who became a spiritually generous, trailblazing teacher, a stalwart patriot during a time of revolution and exile.

In Chasing Chopin she follows in his footsteps during the three years, 1837–1840, when he composed his iconic “Funeral March”—using its composition story to illuminate the key themes of his life: a deep attachment to his Polish homeland; his complex relationship with writer George Sand; their harrowing but consequential sojourn on Majorca; the rapidly developing technology of the piano, which enabled his unique tone and voice; social and political revolution in 1830s Paris. Each of these threads—musical, political, social, personal—is woven through the “Funeral March” in Chopin’s Opus 35 sonata, a melody so famous it’s known around the world even to people who know nothing about classical music.

The result is an engrossing, page-turning work of musical discovery and an artful portrayal of a man whose work and life continue to inspire artists and cultural innovators in astonishing ways.

A modern take on a classical icon: this original, entertaining, well-researched book uses the story of when, where, and how Chopin composed his most famous work.

“Like everyone else, you have heard Chopin’s funeral march, whether in a symphony hall or in a cartoon. Annik LaFarge heard it in both places and got to thinking. The result of those thoughts was her drive to make sense of the cultural journey of a single melody. The result of that drive is not just the fascinating story of a single musical composition, and not even just a thoughtful and satisfying meditation on the way a culture creates itself. LaFarge has documented a story that is itself, as she notes, ‘an antidote to the culture of virtuosity, celebrity, and noise that today envelops us.’”