'Twilight of the Idols', an attack on all the prevalent ideas of his time, offers a lightning tour of his whole philosophy. It also prepares the way for 'The Anti-Christ', a final assault on institutional Christianity. Both works show Nietzsche lashing out at self-deception, astounded at how often morality is based on vengefulness and resentment. Both reveal a profound understanding of human mean-spiritedness which still cannot destroy the underlying optimism of Nietzsche, the supreme affirmer among the great philosophers.
In these two devastating late works, Nietzsche offers a powerful attack on the morality and the beliefs of his time
Nietzsche's Twilight of the Idols is a 'grand declaration of war' on reason, psychology and theology, which combines highly charged personal attacks on his contemporaries (in particular Hegel, Kant and Schopenhauer) with a lightning tour of his own philosophy. It also paves the way for The Anti-Christ, Nietzsche's final assault on institutional Christianity, in which he identifies himself with the 'Dionysian' artist and confronts Christ: the only opponent he feels worthy of him.
Translated by R. J. Hollingdale with an Introduction by Michael Tanner
